"I Told You I was Sick,"
"Devoted Fan of Julio Iglesias" and other popular inscriptions...
Key West's historic 1847 Cemetery
is located in the "dead" center of Old Town, bounded by Angela,
Margaret, Passover Lane (appropriately named), Frances and Olivia. Moved
to higher ground after the 1847 hurricane disinterred bodies from the
first burial ground near the Southernmost Point, the whitewashed above-ground
tombs and statues are fascinating. A stroll through this historic graveyard
can tell as much about Key West's quirky character as any history lesson.
main entry gates open at the corner of Margaret and Angela streets. To
begin----walk straight to the first corner of Palm and Magnolia; you;ll
see U.S.S. Maine Plat surrounded by an ornate wrought iron fence, painted
silver. This scrolled grillwork encircles a solitary bronze sailor,
dedicated on March 15, 1900, who overlooks the plain, white marble markers
commemorating the victims of the 1898 sinking of the battleship U.S.S.
Maine in Havana Harbor. Turn right along First Avenue, you'll see a beautifully
carved winged angel, a reminder of a young child's early death. Notice
the twin red-barked gumbo limbo trees that flank an unusually pedimented
brick monument to the Mitchell family. Continue past the plot of General
Abraham Lincoln Sawyer, a 40" midget whose final wish was to be buried
in a man-size tomb, to the tall, decorated gray marble shaft that marks
William Curry's resting place. Curry was reputedly Florida's first millionaire.
Behind the monument is a fallen obelisk etched with Ellen Mallory's name.
She was the mother of Stephen Mallory, a U.S. Senator and Confederate
Pass by the purple hedge of bougainvillea
to where Duncan Cameron, supervisor of the lighthouse construction
in 1847, was laid to rest in 1855. Next along the path is a tiny
arched stone that commemorates 22-year old Reverend J. Van Duzen, the
first missionary to Cuba. Along 4th Avenue, see the life-size statue
of Earl Saunders Johnson, (those are his own shoes enclosed in plaster),
who has become the central, intriguing focus of the Watlington Plot.
Captain Francis Watlington, a mariner and Confederate blockade runner
who lived from 1804 to 1887, owned "the Oldest House," and
Johnson was its last family heir.
a bit further to see the decaying ornate fence surrounding the four-generation
Porter clan. Joseph Yates Porter was the founder of public health in Florida.
To the right, are two classic angels posed at the Navarro family plot.
Still further on 4th Avenue you'll see the white marble stone marking the
grave of Thomas Romer, a black Bahamian, a privateersman and "good citizen for 65 of his 108 years. It's signed by Gallagher, a
nineteenth century stone cutter. Turn right on Violet Street and look for
the tomb of Sloppy Joe Russell, hidden behind the crypt marked by a hand
painted "eternal flame."
As you walk along Seventh Avenue, look for
the black archway with the letters "B'nai Zion" marking the
Jewish Cemetery entry. To the immediate left is a large white crypt with
a facing tablet inscribed "I Told You I was Sick." Cross the cemetery toward Angela
Street along Laurel and note the uplifted marble casket of a tiny Cuban
woman whose grandfather penned the national anthem of Cuba. An expansive
bricked lot to the left features the pink granite gravestones for three
Yorkshire terriers and Elfina, a pet deer, along with members of the
prominent Otto family. Dr. Otto was a Prussian-born medical officer at Fort
Jefferson who fought the yellow fever epidemic. On the right is the Catholic
Cemetery, founded in 1868. The large gray mausoleum marks the burials of the
Toppino family, the makers of Keys' concrete and constructors of the
Overseas bridges. Look for the inscription, "devoted fan of Julio
Iglesias" near here.
Walk back toward the entry along Palm Avenue,
and looking towards Angela Street, you may spot the unusual carved statue
of a naked "bound woman," at the 1966 tomb of Archibald Yates.
A metal archway along Palm, bearing the inscription "A Los Martires
de Cuba" (To the Cuban
Martyrs), denotes a symbolic 1892 memorial to heroes of the 1868 Cuban
revolution, and the tomb of Cuban Consul Antonio Diaz Carrasco, buried here
in 1915. And lastly, look to your left for the "God Was Good to Me" epitaph,
carved in wood and mounted on an above-ground crypt.
The graveyard is a spot illumined by time,
tropics and history. Indeed it is somehow one of the most alive spots in Key